John Dedeke

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Adding More Weight to the Myth of Giles Corey

Blogging, Writing, EssaysJohn DedekeComment
The Burying Point | Salem, MA | Photo by Robert Linsdell: http://www.flickr.com/photos/boblinsdell/11362908233/

The Burying Point | Salem, MA | Photo by Robert Linsdell: http://www.flickr.com/photos/boblinsdell/11362908233/

I’ve spent most of my adult life harboring a quiet but fervent mancrush on a farmer from 1600s Salem, Massachusetts. As of today I think I’m finally over it.

In varying degrees of sensationalism, all of the Salem museums dedicated to the witch hysteria of 1692 tell a similar story about Giles Corey. He and his wife were among those accused of witchcraft, with Corey’s wife Martha found guilty and hanged and Corey refusing to enter a plea on his own behalf. In an attempt to convince him to do so, the court of Salem had Corey (who was 80 years old at the time) placed under a wooden board upon which large stones were added one at a time. With the addition of each new stone Corey was repeatedly asked to enter a plea to the charges against him. His response: “More weight.” Corey’s body eventually succumbed to the pressure and he died.

Conveyed in these terms, Corey’s legendary defiance was exactly the kind of thing 22-year-old me liked to exalt. In the midst of ill-reasoned, anti-intellectual patriotism that seemed to permeate parts of American culture throughout the last decade, Corey’s pithy retort while under assault from a similar wave of madness read like an entire Daily Show rant delivered in two righteous words.

From the moment I heard his tale all the way up to today, I considered myself president of a hypothetical Giles Corey fan club and wasted no opportunity to share with others the story of my favorite colonial-era badass.


Infatuation often obscures the truth. Faced with suspicions that might contradict our favorable assessment of someone, we find ways to bend or diminish these details.

Today, we scoff at the notion that Mark McGwire acquired the enhanced girth and home run-hitting prowess that marked the later days of his baseball career via natural means, but in 1998 to assume otherwise was heresy, especially in my hometown of St. Louis. We may have assumed that Barry Bonds was juicing, because he was considered a jerk and it fit our profile of him. But we liked Mark McGwire. By default, we keep our heroes innocent.


Which brings us back to Corey. Was he a warlock, as charged? Probably not. But was he a hero? Lacking much detail or background about him beyond what Salem tells its tourists, I had no reason to assume otherwise. So I didn’t. My idealized vision of Corey lacked context, and I liked it that way.

But infatuation can’t sustain itself forever, and when you look for fuel you may find something else. They don’t talk about what Giles Corey did to Jacob Goodale at the Salem museums, but the story is out there.

In 1676, at the age of 65, Corey was brought to trial in Essex and accused of beating one of his indentured farm workers, Jacob Goodale, son of Robert Goodale and Catherine Kilham Goodale originally from Dennington, Suffolk, England, to death. Jacob’s brother was Isaac Goodale. Corey had severely beaten Goodale with a stick after Jacob was allegedly caught stealing apples from Corey’s brother-in-law, and though Corey eventually sent him to receive medical attention 10 days later, Goodale died shortly thereafter….
Since corporal punishment was permitted against indentured servants, Corey was exempt from the charge of murder, and instead charged with using “unreasonable” force. Numerous witnesses and eyewitnesses testified against Corey, as well as the local coroner, and he was found guilty and fined.
-Wikipedia / Records of the Essex Quarterly Courts, Vol. 6, pp.190–1.

I still champion Corey's resistance to the injustices perpetrated in Salem, but it's hard to call a murderer my hero. 


This piece was originally crafted for and published at Medium


Nothing Has More Staying Power Than Death

BloggingJohn DedekeComment
photo 20-29-48-512.JPG

 

If you are a booky person who also happens to have a Facebook account, you’ve probably been tagged by someone and tasked with listing ten books you’ve read that “stayed with you.” Here’s the full request I received recently: 

In your status line, list 10 books that have stayed with you in some way. Don’t take more than a few minutes and don’t think too hard. They don’t have to be “right” or “great” works, just the ones that have touched you. Tag some literary-minded friends, including me, so I’ll see your list.

While the novelty (ahem) of creating a list like this wore off for me a while ago, I was curious to see if I could pull some value from this one beyond a social comparison. Here’s the resulting list, assembled from the first ten books that came to mind. 

  1. The Dangerous Lives of Altar Boys by Chris Fuhrman
  2. On the Road by Jack Kerouac
  3. Something Wicked This Way Comes by Ray Bradbury
  4. The Thief of Always by Clive Barker
  5. Burger Wuss by M.T. Anderson
  6. Like the Red Panda by Andrea Siegel
  7. The Great Gatsby by F. Scott Fitzgerald
  8. Blood & Popcorn by Perri Pagonis
  9. Maps & Legends by Michael Chabon
  10. We Have Always Lived in the Castle by Shirley Jackson

I considered detailing specifically what element from each of them stuck with me, but after reviewing the list a bit, I noted a few trends that I think together say more about me as a reader (and probably a bit about me as a writer).

Almost every book on the list could be called a “coming of age story,” which has always been my default literary wheelhouse. All but two were written by a male and chronicle the exploits of a male protagonist; half of those also involve a male sidekick character. All but one were written and published in the second half of the 20th century, and more than half of them focus significantly on mortality. 

If my reading habits were a Netflix subgenre, that subgenre would be "Dudes growing up and dying" -- which actually sounds like something I would post in my status on Facebook.